Friday, May 6, 2016

Captain America: Civil War Review - More is Just Fine

Less is more - a phrase so often used to address a film's merits that it has become a cliche. In most cases, the designation holds true. Many products from Hollywood's dream factory could do with some trimming, especially ones involving costumed crusaders. Captain America: Civil War, however, breaks this rule in style.

If the future installments of the Marvel Cinematic Universe are as action-packed, entertaining, and well-conceived as this one, then the series' fans are in for a great deal of excitement and there should be no concern about a drop in quality.
Interestingly, the Hero vs. Hero concept is eerily similar to the failure that was Batman vs. Superman, but Marvel succeeds in every way that DC failed.
Civil War is an engrossing and engaging journey into the grandiose struggles faced by superheroes. When they slip-up, the consequences are large. For the Avengers, that means the public calling for oversight and accountability. In other words, turning them into soldiers rather than autonomous do-gooders with the best intentions.

The tension begins to build. As advertised, Captain America (Chris Evans) believes that no government, not even the United Nations, has the right to order the Avengers around. On the other hand, Tony Stark/Iron Man (Robert Downey Jr.) is with the public. The ties that held the group together are ripped apart. Heroes align themselves according to their beliefs or even their personal motives at the time.
Spiderman gets into the game.
Now, this may seem like a set-up for an intensely personal drama about the limits of friendship and how far one is willing to go for brotherhood. Joe and Anthony Russo, the film's directors, and Christopher Markus and Stephen McFeely, the writers, have other ideas. While those aforementioned themes are prevalent, what sets Civil War apart from other superhero flicks is the comic timing. Just when the conflict and suspense-filled action is built-up enough, the gags are thrown in. At this point, Marvel and Disney seem to have mastered the comedy required to create a solid counterbalance to the action and drama in their movies.

Of course, Spider Man's introduction was always going to be a popular move, and Tom Holland does a solid job in this new take on the web-slinging character. The more impressive introduction, however, comes from Black Panther, as Chadwick Boseman gives the vengeful African prince-turned-king the right amount of emotion and energy. The other players, such as Paul Rudd, Anthony Mackie, Scarlett Johannson, and Elizabeth Olsen, also play their parts satisfactorily.
Them cats are quick! Black Panther on the run.
With all of these elements in place, the filmmakers returned to a familiar Marvel premise - one grudge-bearing man (Daniel Bruhl) attempting to get the heroes to start fighting each other. The concept is the launching pad for what could very well be the best movie yet to come out of the Marvel franchise. The story, the conflict, and the execution could not get much better. Perhaps the only hero film to top it, though incomparable in many ways, is Christopher Nolan's The Dark Knight.

High praise, but earned. Here's hoping for more top-notch productions down the road.

The only thing to be said against this film is the first part of the title - Captain America. By no means is this a Captain America movie. It is, unquestionably, an Avengers movie.


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