Without further ado, here is the penultimate screenplay on my personal list: Robert Towne's Chinatown. The finished product, directed by the troublesome Roman Polanski and starring Jack Nicholson, is considered by many to be a classic. It could even be called the quintessential neo-noire, which is far from uplifting but full of mystery, romance, double-dealing, and fate playing it's dirty tricks on the characters involved.
What's going on out here? |
The story opens in the office of private eye Jake Gittes, a private detective. He's good at what he does, as the opening reveal of a wife's affair shows, and cares a lot about his intentionally pristine image. A woman enters, wanting to know if her husband is having an affair, and he eventually takes the job when the man involved is a high-profile city engineer (Hollis Mulwray) who heads the water department. The job appears an elementary one and he snaps pictures of Mulwray with a young woman. Then, when the story hits the newspapers, the real Mrs. Mulwray appears and serves Gittes with a subpoena.
He's angry. Who would want to mislead him like that? He now takes it into his own hands to figure it out. Shortly thereafter, Mulwray is murdered and Mrs. Mulwray is the prime suspect. At this point, Gittes attempts to interrogate her and comes out of the situation knowing less than before and with a retainer from Mrs. Mulwray.
Gittes, Mrs. Mulwray, and the cops. |
Re-enter Mrs. Mulwray, blindingly beautiful, and the further complication of romance. Also, there's the introduction of Noah Cross, Mrs. Mulwray's father. He wants to see his daughter...his other daughter and the key to finding her is apparently Mrs. Mulwray. Gittes then discovers a land plot. Everything in the "Northwest Valley" is being bought up under false names.
He now knows Mulwray's murder has something to do with the deal and the key to whoever set him up in the beginning lies with discovering who is behind it.
That looks like my cue to step back and examine the writing.
First off, there's the motif of Chinatown. Gittes mentions it once or twice and it comes back with a bang in the finish. He didn't know what was going on in Chinatown when he was a cop and he definitely doesn't know what is going on throughout the course of the story. This hurts him and the people he cares about. In other words, this motif accentuates the character of Jake Gittes, around whom the story revolves. He wants everyone to think he's in control, that he can take care of the people who are relying on him, but in truth he can't.
Then there's the theme, the water, Mr. Cross, and the unwritten law. I could go on for hundreds of words as to how Towne drops in and out of the story, but I will spare you the pain. However, I can say that it was a masterful job and makes the story work on multiple levels--thematically, plotwise, and with the characters. In the end, it was fully deserving of the Academy Award and the reverential place it holds in the world of screenwriting.
Forget it, Jake, it's Chinatown... |
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